George Bailey's troubled grandson is forever changed when his Aunt Zuzu comes back as an angel and reveals how much better the world would have been had he never been born. Production is moving forward steadily as of May 2015 according to producer Bob Farnsworth, CEO and founder of Hummingbird Productions in Nashville, TN.

Tom Bosley hosts a documentary the looks into the story behind how one of cinema's greatest films It's A Wonderful Life was made.

It’s a not-so-wonderful life for George Bailey when a horde of flesh-eating ghouls come to town on Christmas Eve. In this horror comedy mashup, two classic films are re-imagined as a darkly humorous fever dream. George, a frustrated businessman, navigates his night seemingly unaware of the looming threat of the undead; as Barbara, a woman from out of town, runs for her life through the streets of Bedford Falls. When George and Barbara come face to face with the living dead, they must fight to make it through the night and find their way back to their families. Through the use of traditional rotoscoping and compositing techniques, It’s a Wonderful Life and Night of the Living Dead (both in the public domain) have been woven together to create this twisted love letter to the original films.

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A recent college graduate in Columbus, Ohio seeks agency when his girlfriend moves away and Corporate America fails to meet his expectations, with the help of his freewheeling co-worker.

A paralysed farmer watches his brother fall in love with the woman he intended to marry.

Boris Karloff: The Rest of the Story takes a deeper look at the life and career of Boris Karloff, from 1931 to 1969, exploring films such as The Ghoul, The Walking Dead (1936), Charlie Chan at the Opera (1936), the Mr Wong series, The Climax (1944), Lured (1947), The Strange Door (1951), Grip of the Strangler and Corridors of Blood(1958), The Comedy of Terrors (1963), The Curse of the Crimson Altar (1968), the Mexican quartet, some of his major TV appearances (The Girl From U.N.C.L.E., Wild Wild West, I-Spy) as well as taking a deep look at his often ignored Broadway career in the 1940s and 50's. There is also much time devoted to Karloff's more personal side and his relationship with his daughter, Sara.

Two aspiring songwriters finally manage to sell a tune by claiming that it was composed by a reclusive musical genius. When the tune hits the top of the charts, they find themselves having to produce the "real" composer.

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

Focuses on frank discussions regarding human reproduction, the "facts of life," and the appreciation of modern medical science in the post-war era.